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JAMES HARDY

James Hardy: Raw Energy

All photos in this article are taken by James Hardy

James Hardy, a Naarm-based, Boorloo-raised portrait photographer, brings a raw yet cinematic edge to his work. His portraits are vibrant—not just in colour but in their ability to capture the essence of his subjects, making the viewer feel as though they truly understand the person in the frame.

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Hardy's Inspiration 
 

Photography came into Hardy’s life at 19, a work friend (@tappudd) introduced him to film- and what began as shooting friends on nights out with a point-and-shoot has become a cinematic celebration of portraiture. A pivotal moment for Hardy was discovering Gunner Stahl’s Portraits (2019). “There’s nothing special about the portraits… no crazy production, people aren’t wearing crazy costumes, it’s just a certain moment—the lighting is perfect, the colors are perfect, and the portraits have a lot of character.” That raw simplicity resonated with Hardy and continues to shape his approach today.

Known for his interest in dance music artists, Hardy has shot the likes of Wretla (FKA Cassettes for Kids), STÜM, Sam Alfred and Conducta - a process he has ‘fallen in love’ with.

But how did Hardy come to shoot such big names in the electronic music world at just 23?

Club Nights to Icons
 

Hardy’s entry into the electronic music world was straightforward: he reached out. Alongside two mates, Sean and Harry, James co-founded Lost ‘n’ Sound, an electronic dance music community in Boorloo. While the project has since wrapped up, it played a huge role in getting Hardy into clubs with artists.

Hardy credits Perth as an excellent launchpad for his career. “If an artist is touring in Melbourne, they probably have friends there, other obligations, people calling their name. In Perth, they’re often just in their hotel room waiting for a show. So when I’d ask for a shoot, they’d say, ‘Yeah, I’m not doing anything for three hours, let’s do it.’” That accessibility allowed Hardy to build relationships that carried over when he eventually moved to Melbourne. While Hardy’s double degree in law and commerce was the official excuse for the move he said “Melbourne has always been a big love of mine—the culture, the music, the footy, everything. The city has open arms. Everyone wants to see each other grow.” The geospatial transition has allowed Hardy to turn one-off shoots in Perth into lasting creative collaborations and friendships. 

 

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The Art of Portraiture 
 

While much of his work involves press shots that require a vision, James never sets out rigid poses. Preferring a documentary-like approach, he enjoys when “it’s almost like you’re just hanging out with someone and documenting their day.” 
 

Hardy’s goal is always to make subjects feel comfortable, natural, and at ease in front of the lens. “A big part of photography that gets unspoken about is how comfortable you can make your client feel. If the first interaction is awkward, they’ll look standoffish in the photos. But if we’re having a laugh, it makes everything flow naturally.” His distinctive focus on skin tones plays a defining role in his work. "I love it when skin tones pop—when someone looks like they do in real life. It just makes for honest, fun photos." 
 

In a world where rapid-fire digital photography dominates, Hardy’s devoted to the unpredictability of film photography. "It’s a one-off thing—you’re not taking 30 different photos of the same frame. You’ve got one chance to get the moment correct," he explains. "If anything’s off—that’s it. That’s what makes the end product so rewarding."

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Medium Matrices: Kayla Moon

This attention to skin tone and color has been evident across Hardy’s projects, including a striking collaboration with XFLOS founder, Kayla Moon. “I really wanted to branch out and shoot different mediums of art—painters, florists, fashion. Kayla’s work felt like the perfect match for my photography style.” Their shoot, coinciding with her store opening, became a seamless blend of art and artist. “I wanted it to be half about the florals and half about her as a person.”
 

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Full Circle: Kettama

One of Hardy’s most significant turning points came from an image taken at Port Beach Brewery. A year earlier, he had missed the perfect shot of Kettama due to an ISO mishap, a mistake that haunted him for weeks. "I had 800 ISO loaded and had my flash on which completely overexposed the image. I was kicking myself for weeks." A year later with Kettama and Salute performing, everything aligned. “The colours were perfect. Everything came together." The patience certainly paid off with the photo having amassed the most traction to date.

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Gallery Recordings Magazine

Another defining moment was working on a magazine with Gallery Recordings for their third birthday, a project that saw him shooting in both Melbourne and Sydney. “It was a huge pinch-me moment, being put in touch with these artists and capturing them in their natural environments.” One standout experience was shooting Pretty Girl in her home studio. “I wanted to capture her in her element—just her, recording, in her own space.”

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Far from wrapping up 

Despite these milestones, Hardy stays grounded. “I still stress out when I need to go up to someone to get a photo,” he admits. But his confidence and artistic control have grown. The next evolution? Medium format. “That’s the next goal—getting my hands on a medium format camera and expanding to capture other artistic mediums.” Hardy’s advice to anyone wanting to get into the space: iterate - “Just shoot more and more. Bring the camera everywhere, take photos of everything. The more you shoot, the faster you learn.” - And the more we see of Hardy’s photography, the more we wait patiently for what is coming next. 

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